The Family of Benjamin Z. Gould Center for Humanistic Studies

Benjamin Z. Gould bust The Gould Center investigates the major forces that have gone into, and are still at work in, the formation of the modern world. Its scholars and students also focus on the great changes in attitudes since the Renaissance. The Center hosts an annual academic seminar exploring a major issue of modern society, brings distinguished visiting fellows to campus, and offers fellowships for collaborative faculty and student research efforts.

New in Academic Year 2008-09:

 

Book of Longing


 

A New Work by Philip Glass

Based on the Poetry and Images of Leonard Cohen


 
Southern California Première Performances
5 performances, February 25 – March 1, 2009

 

Performances commence at 8:00 p.m.

Garrison Theatre, Scripps Performing Arts Center, Scripps College

231 E. Tenth Street, Claremont, California

 

Tickets available through



To purchase tickets for any of the five performances of
Philip Glass’s Book of Longing,
click here.

 For further information, call 909-607-8558.

Limited numbers of substantially discounted tickets are available for purchase by students of the five Claremont Colleges. For further details, call 909-607-8558 (from on campus, ext. 78558).

Philip Glass

Composer

Perhaps best known for such operas as Akhnaten, Einstein on the Beach, Satyagraha, and The Voyage—all of which have been assimilated into the basic repertory in the world’s foremost theaters and opera houses—as well as numerous film scores (including those for The Hours, Cassandra’s Dream, Mindwalk, Kundun, Hamburger Hill, and Stephen Hawking’s A Brief History of Time), Philip Glass has collaborated with a remarkably diverse roster of artists: Woody Allen, Allen Ginsberg, Doris Lessing, Yo-Yo Ma, Linda Ronstadt, Martin Scorsese, Ravi Shankar, and Paul Simon, to name but a few. Also the composer of eight symphonies, several string quartets, works for solo piano and organ, and concerti for piano, violin, timpani, saxophone quartet, and other instruments and combinations thereof, Glass clearly merits ever so much more than the “minimalist” or “crossover” classification to which some criticasters have facilely—and carelessly—consigned him. As Tim Page, the Washington Post’s Pulitzer Prize-winning music critic puts it, “The new musical style that Glass was evolving … was based on the extended reiteration of brief, elegant melodic fragments that wove in and out of an aural tapestry. Or, to put it another way, it immersed a listener in a sort of sonic weather that twists, turns, surrounds, develops. … There has been nothing 'minimalist' about his output.”

The composer himself will perform on keyboard in these five performances—which mark the southern California première—of Book of Longing.


From http://www.pomegranatearts.com/project-philip_glass/index.html#:
A new work by Philip Glass based on the poetry and images of Leonard Cohen, Book of Longing has been conceived as an evening-length concert work composed for ensemble, singers, spoken word and imagery. The culmination of years of mutual admiration between two of the most celebrated musical artists of their generation, the piece features new music by Glass inspired by Cohen's most recently published book of the same name. Comprised of Cohen's poetry and sketches created over the course of the past 20 years including eight years spent at the Mt. Baldy Buddhist monastery, Book of Longing is signature Leonard Cohen-- at once meditative, playful, erotic, and provocative. The poems are a diverse collection that can loosely be collected into the categories of long "ballads," love poems, autobiographical works, spiritual meditations written at Mt. Baldy, and short comic pieces that Philip Glass has nicknamed "limericks."

Leonard Cohen (left) and Philip Glass; photo by Lorca Cohen (www.pomegranatearts.com)


Philip Glass has conceived the concert as a collection of poetry from each of these loose categories to run as a continuous evening rather than a traditional song cycle. The music is performed by an ensemble of eight musicians including electronic keyboards (one played by Glass himself), flute/bass clarinet, hand percussion, violin, cello double bass, and oboe/English horn that are visible on stage throughout the evening. The music is directed by Glass's longtime musical director Michael Riesman.
Four singers (Soprano, Mezzo, Tenor and Baritone) sing lyrics pulled from Cohen's poetry as soloists, as a quartet, and in a variety of combinations throughout the evening and appear onstage for the entirety of the evening. Leonard Cohen's recorded voice delivers selections of the poetry and is underscored by the musical ensemble. The visual artwork of Leonard Cohen has never before been seen in conjunction with his music and his images are prominently incorporated into the set

In creating Book of Longing, Philip Glass has collaborated with choreographer/director Susan Marshall, with whom he created the opera Les Enfants Terribles, to stage the musicians and singers.

Book of Longing in performance; photo by Cylla von Tiedemann (www.pomegranatearts.com)


The set is designed by Christine Jones, with costumes by Kasia Walikca Maimone and lighting by Scott Zielinski.

The Family of Benjamin Z. Gould Center for Humanistic Studies

Adams Hall #208
Claremont McKenna College

909-621-8417
FAX:  909-621-8419

Mailing address:
Gould Center
Claremont McKenna College
850 Columbia Avenue
Claremont, CA  91711-6420